Boot studies for a standing man (Friedrich Christoph Graf von Hohenzollern)

Details

This study has a direct connection with the portrait of Friedrich Christoph Graf von Hohenzollern (cf. Weidinger 30, Natter 28), one of the five life-size portraits that the young Klimt painted of the ancestors of King Carol I in 1883 for the interior of Pelesch Castle (now in the National Museum of Sinaia, Romania).

Strobl 100.
We are thankful to Dr. Marian Bisanz-Prakken, former curator of Gustav Klimt’s drawings, Albertina Museum, Vienna, for her kind advice.

Literature:
Werner, Alfred, Gustav Klimt. One Hundred Drawings with an Introduction by A. Werner, New York 1972, fig. 2;
Sabarsky, Serge, Gustav Klimt. Drawings/Cento disegni/100 Zeichnungen, Mount Kisco/New York a.o. 1983/84, cat. no. 4;

Exhibition:
Gustav Klimt. 150 important drawings, Christian M. Nebehay, Vienna 1962, catalogue V, cat. no. 1;
Gustav Klimt. 56 drawings, Christian M. Nebehay, Vienna 1967, catalogue XI, cat. no. 4;
Gustav Klimt, Isetan Museum of Art, Tokyo 1981, cat. no. 21;
Gustav Klimt. 100 disegni/100 Zeichnungen/100 drawings/100 kreseb, Pinacoteca Capitolina, Rome and others 1983-1997, cat. no. 4 and 7;
Gustav Klimt 1862-1918, Nassau County Museum of Art, Roslyn/New York 1989;
Bloom and Doom: Visual Expressions and Reform in Vienna 1900, Middlebury College Museum of Art, Middlebury/Vermont 2016.

Provenance:
Estate of the artist/collection Rudolf Zimpel (1898-1984), Vienna (nephew of Gustav Klimt), on the reverse with the stamp (not in Lugt);
Scott Elliott Collection, New York;
Collection/Estate Serge Sabarsky, New York;
Collection/Foundation Vally Sabarsky, New York.